Image of Framework Vol. 51, No. 2 (Fall 2010)

Framework Vol. 51, No. 2 (Fall 2010)

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Framework Vol. 51, No. 2 (Fall 2010)
The Journal of Cinema and Media

Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.

Table of Contents:

Editorial
Drake Stutesman

Erice's Songs: Nature as Music/Music as Nature
Linda C. Ehrlich and Celia Martínez García

Artistic Testament or Final Exorcism? Passion and Tragedy in Bergman's Saraband
Miguel Lomillos

DOSSIER: TRANSNATIONALIZING WOMEN'S FILM HISTORY

Introduction
Christine Gledhill

World Women: Still Circulating Silent Era Film Prints
Jane M. Gaines

Women's Film History Project: Issues of Transnationalism
Bryony Dixon

On Frieda Klug, Pearl White, and Other Traveling Women Film Pioneers
Monica Dall'Asta

Women, Empire, and British Cinema History
Emma Sandon

Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don't Tell Us about "Gender" in the Silent Motion Picture Studio
Mark Garrett Cooper

A Historical Overview of NFTVA/BFI Collection Development Policies with Regard to Gender and Nation Questions
Elaine Burrows

Women Filmmakers and Postfeminism in the Age of Multimedia Reproduction: A Virtual Archive for Women's Cinema
Rosanna Maule

Women's Film History: Columbia University and the Museum of Modern Art, March 2010

"Exit Flapper, Enter Woman," or Lois Weber in Jazz Age Hollywood
Shelley Stamp

A New Eroticism or Merely a New Woman? Cecil B. DeMille's Adaptation of Alice Duer Miller's Manslaughter
Anne Morey

Toward the Development of a Modern "Impressionist" Cinema: Germaine Dulac's La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype
Tami Williams

Screen Theory Goes to Australia
Constantine Verevis